Lauren McGuire Jennings
Publisher: Routledge; New edition edition (November 14, 2014)
Format: PDF / Kindle / ePub
Size: 6.1 MB
Downloadable formats: PDF
The metaphor of marriage usually describes the connection among poetry and song in either medieval and smooth writing. whereas the troubadours stand out for his or her tendency to blur the excellence among conversing and making a song, among poetry and track, a undeniable measure of semantic slippage extends into the world of Italian literature by using style names like canzone, sonetto, and ballata. but, mockingly, students have characteristically pointed out a 'divorce' among song and poetry because the defining function of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in past due medieval Italy via a clean review of greater than fifty literary resources transmitting Trecento tune texts. those manuscripts were lengthy famous by means of musicologists, yet earlier they've been used to reinforce instead of to debunk the inspiration that so-called 'poesia consistent with musica' was once relegated to the margins of poetic construction. Jennings revises this view through exploring how scribes and readers interacted with music as a essentially interdisciplinary paintings shape inside of a large diversity of literary settings. Her research sheds gentle at the broader cultural international surrounding the reception of the Italian ars nova repertoire by means of uncovering new, diversified readers starting from prosperous retailers to modest artisans.